A Tale of Two Cities by Charles Dickens

[A Tale of Two Cities] has the best of Dickens and the worst of Dickens: a dark, driven opening, and a celestial but melodramatic ending; a terrifyingly demonic villainess and (even by Dickens’ standards) an impossibly angelic heroine. Though its version of the French Revolution is brutally simplified, its engagement with the immense moral themes of rebirth and terror, justice, and sacrifice gets right to the heart of the matter . . . For every reader in the past hundred and forty years and for hundreds to come, it is an unforgettable ride.

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Nicholas Nickleby by Charles Dickens

Nicholas Nickleby is one of Dickens's early novels, a popular melodrama with a rich list of characters. When his father dies penniless, Nicholas Nickleby, his mother and his sister Kate are thrown on the mercy of his corrupt uncle Ralph Nickleby. Sent away to teach at the infamous Dotheboys Hall, run by the sadistic Wackford Squeers, Nicholas eventually absconds, but not before rescuing the poor abused Smike. He returns home just in time to save his sister from the unwanted attentions of Sir Mulberry Hawk, and eventually his family's fortunes are restored.

Nicholas Nickleby (Collector's Library)

Little Dorrit by Charles Dickens

When Arthur Clennam returns to England after many years abroad, he takes a kindly interest in Amy Dorrit, his mother's seamstress, and in the affairs of Amy's father, William Dorrit, a man of shabby grandeur, long imprisoned for debt in Marshalsea prison. As Arthur soon discovers, the dark shadow of the prison stretches far beyond its walls to affect the lives of many, from the kindly Mr Panks, the reluctant rent-collector of Bleeding Heart Yard, and the tipsily garrulous Flora Finching, to Merdle, an unscrupulous financier, and the bureaucratic Barnacles in the Circumlocution Office. A masterly evocation of the state and psychology of imprisonment, Little Dorrit is one of the supreme works of Dickens's maturity. Stephen Wall's introduction examines Dickens's transformation of childhood memories of his father's incarceration in the Marshalsea debtors' prison. This revised edition includes expanded notes, appendices and suggestion for further reading by Helen Small, a chronology of Dickens's life and works, and original illustrations.

Great Expectations by Charles Dickens

Great Expectations is Charles Dickens's thirteenth novel. It is his second novel, after David Copperfield, to be fully narrated in the first person. Great Expectations is a bildungsroman, or a coming-of-age novel, and it is a classic work of Victorian literature. It depicts the growth and personal development of an orphan named Pip. The novel was first published in serial form in Dickens's weekly periodical All the Year Round, from 1 December 1860 to August 1861. In October 1861, Chapman and Hall published the novel in three volumes. Dickens originally intended Great Expectations to be twice as long, but constraints imposed by the management of All the Year Round limited the novel's length. The novel is collected and dense, with a conciseness unusual for Dickens. According to G. K. Chesterton, Dickens penned Great Expectations in "the afternoon of [his] life and fame." It was the penultimate novel Dickens completed, preceding Our Mutual Friend. It is set among the marshes of Kent and in London in the early to mid-1800s. The novel contains some of Dickens most memorable scenes, including its opening, in a graveyard, when the young orphan Pip is accosted by the escaped convict, Abel Magwitch. Great Expectations is a graphic book, full of extreme imagery, poverty, prison ships ("the hulks"), barriers and chains, and fights to the death. Upon its release, Thomas Carlyle spoke of "All that Pip's nonsense." Later, George Bernard Shaw praised the novel as "All of one piece and consistently truthfull." Dickens felt Great Expectations was his best work, calling it "a very fine idea," and was very sensitive to compliments from his friends: "Bulwer, who has been, as I think you know, extraordinarily taken by the book." Great Expectations has a colourful cast that has entered popular culture: the capricious Miss Havisham, the cold and beautiful Estella, Joe the kind and generous blacksmith, the dry and sycophantic Uncle Pumblechook, Mr. Jaggers, Wemmick with his dual personality, and the eloquent and wise friend, Herbert Pocket. Throughout the narrative, typical Dickensian themes emerge: wealth and poverty, love and rejection, and the eventual triumph of good over evil.

Bleak House by Charles Dickens

The complex story of a notorious law-suit in which love and inheritance are set against the classic urban background of 19th-century London, where fog on the river, seeping into the very bones of the characters, symbolizes the corruption of the legal system and the society which supports it.

“Jarndyce and Jarndyce” is an infamous lawsuit that has been in process for generations. Nobody can remember exactly how the case started but many different individuals have found their fortunes caught up in it. Esther Summerson watches as her friends and neighbours are consumed by their hopes and disappointments with the proceedings. But while the intricate puzzles of the lawsuit are being debated by lawyers, other more dramatic mysteries are unfolding that involve heartbreak, lost children, blackmail and murder.

The fog and cold that permeate Bleak House mirror a Victorian England mired in spiritual insolvency. Dickens brought all his passion, brilliance, and narrative verve to this huge novel of lives entangled in a multi-generational lawsuit—and through it, he achieved, at age 41, a stature almost Shakespearean.

David Copperfield by Charles Dickens

When David Copperfield escapes from the cruelty of his childhood home, he embarks on a journey to adulthood which will lead him through comedy and tragedy, love and heartbreak and friendship and betrayal. Over the course of his adventure, David meets an array of eccentric characters and learns hard lessons about the world before he finally discovers true happiness.

Charles Dickens’s most celebrated novel and the author’s own favorite, David Copperfield is the classic account of a boy growing up in a world that is by turns magical, fearful, and grimly realistic.

In a book that is part fairy tale and part thinly veiled autobiography, Dickens transmutes his life experience into a brilliant series of comic and sentimental adventures in the spirit of the great eighteenth-century novelists he so much admired.

Few readers can fail to be touched by David’s fate, and fewer still to be delighted by his story. The cruel Murdstone, the feckless Micawber, the unctuous and sinister Uriah Heep, and David Copperfield himself, into whose portrait Dickens puts so much of his own early life, form a central part of our literary legacy.

Dombey and Son by Charles Dickens

It is said that all England mourned the heartbreaking fate of little Paul Dombey, but it is the ordeal of his loving and long-suffering sister, Florence, that carries the full emotional weight of the story. Their father’s cold obsession with the future of his business empire, the malevolent plotting of his greedy manager, Mr. Carker, and the tragic self-contempt of his proud second wife, Edith, cast a dark shadow over the life of the motherless girl. But as the world of Dombey and Son begins to fall to pieces, Florence is sustained by the warmth and brightness of humbler allies: her fiercely loyal nurse, Susan Nipper; her haplessly devoted suitor, Toots; the rough but loveable old salt Captain Cuttle and his friend Sol Gills; and her fervent admirer, the orphan Walter Gay. In its locomotive power and its transcendent moments of suspense and revelation, Dombey and Son is a superb example of Dickens’s ability to combine the qualities of a social historian, a theatrical artist, and a poet of the utmost tenderness and insight.

Charles Dickens set this tale of a hard-hearted businessman, the son he pins all his hopes on, and the daughter he cruelly neglects in a country undergoing the storms of change brought by the Industrial Revolution.

Martin Chuzzlewit by Charles Dickens

Martin Chuzzlewit is Charles Dickens' comic masterpiece about which his biographer, Forster, noted that it marked a crucial phase in the author's development as he began to delve deeper into the 'springs of character'. Old Martin Chuzzlewit, tormented by the greed and selfishness of his family, effectively drives his grandson, young Martin, to undertake a voyage to America. It is a voyage which will have crucial consequences not only for young Martin, but also for his grandfather and his grandfather's servant, Mary Graham with whom young Martin is in love. The commercial swindle of the Anglo-Bengalee company and the fraudulent Eden Land Corporation have a topicality in our own time. This strong sub-plot shows evidence of Dickens' mastery of crime where characters such as the criminal Jonas Chuzzlewit, the old nurse Mrs Gamp, and the arch-hypocrite Seth Pecksniff are the equal to any in his other great novels. Generations of readers have also delighted in Dickens' wonderful description of the London boarding-house - 'Todgers'.